Audio Damage AD-202 v1.0.5 VST3 AU AAX CLAP LV2

Audio Damage AD-202 v1.0.5

AD-202 is a single-oscillator monosynth in the small-grey-box tradition of the early 1980s. One VCO with saw, pulse, sub, and noise running into a 24 dB ladder filter, one envelope, one LFO, and very little else. All main controls are on the front panel, and there is exactly one path from a knob to a sound.

Under the vintage panel it is a thoroughly modern instrument. Mono or eight-voice poly, per-voice analog drift, a tempo-syncable LFO with a delayed onset, MPE, MTS-ESP microtuning, and a post-VCA color section with pre-filter saturation, filter drive, distortion, and a tilt EQ. The vintage part is the ergonomics. The rest of it is not vintage at all.

Features

• Single VCO with four footages
• Sub oscillator
• Source mixer with pre-filter saturation
• 24 dB ladder filter
• One ADSR, shared
• LFO with delayed onset
• Three trigger modes
• Portamento
• Bassline sequencer
• Mono or eight-voice poly
• Age (Per-voice fixed random drift across pitch, pulse width, cutoff, LFO rate, and mixer levels)
• Output stage (Post-VCA distortion and a bipolar tilt EQ pivoting at 1 kHz)
• MPE and aftertouch routing
• MTS-ESP microtuning
• Independent velocity amounts to the amplifier and to the filter

Change Log

*New in Version 1.0.5

• A sequencer. Click SEQ and a bassline step sequencer opens in a band below the keyboard: eight patterns of up to 64 steps, each step accented, slid into the next, or pushed by octaves either way; follow actions and repeat counts chain the patterns into an arrangement; swing, and a row of tools for randomizing, varying, copying, clearing and rotating. A realtime mutation
panel alters the pattern on its way out without altering what you wrote.

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